mfxposé #5: Barnes Products

Those of you looking to try your hand at a bit of sculpting are in for a treat once again. This week we're featuring Barnes Products in our mfxposé. We had a chat to people there and have included for you some of their tutorials on using patina's and Pinkysil.

SOME BACKGROUND

Barnes Products was founded in 1986 by Kevin and Maria Barnes. Kevin had a vision to introduce the latest technologies in materials such as polyeurthan, silicone rubber, gypsum that met world class standards to the Australian Industry.

Today, Barnes is run by Kevin and Maria’s daughter, Nicole Barnes, who continues to supply the highest standard of materials and service to Australia, New Zealand and many other countries.

THE BUSINESS

Their head office is based in Bankstown, NSW, where they do product testing and development, as well and packaging and distribution.

In recent years Barnes have opened retail outlets in Newtown (NSW) and Richmond (VIC) where customers get a personalised service plus technical advice based on the vast experience of their employees.

Newtown (NSW)

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Richmond(VIC)

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Walking into a Barnes store is like a treasure-trove for anyone into special effects, film prosthetics, miniatures sculpting, moulding and related fields. They've got a really wide range of products for a variety of different uses.

They've furnished us with a couple tutorials and some details on products that would suit our miniature modelling purposes. Still, check out the website or head on over to the store as you'd be surprised what you'll come across that'd be useful for a miniature effects artist.

PATINA'S

The Barnes range of Patina’s retail between $16.50 and $33.



Patina’s are used for aging metal finishes, like obtaining rust and greening finishes on metals. The great thing about them is you don’t have to start with a metal object, but can paint with a metal paint prior to application to achieve your desired effect.

Patina’s can be used in the following way:

1.) Select the item you wish to work with (ideally it can be made from plastic, wood, resin or plaster but other materials should work as long as it can be painted)

2.) Paint your item with Barnes metal paints (three coats works best)

3.) Once the metal paint is dry, apply Patina to your item using a spray (you can use a spritzer bottle) or brush (with a regular bristled paint brush).

4.) Leave your item to dry. Different Patina’s have different drying times (no longer than overnight)

PINKYSIL

Another material which is great for replicating items is Pinkysil (RRP $35.20 for 500g). You can use it to replicate your favourite characters, buildings and other terrain shapes easily.



Pinkysil is a skin safe silicone and quick setting (only half an hour).

Use Pinkysil in the following way:

1.) Stick your chosen item into the middle of a plastic container (a disposable plastic cup works well).

2.) Pour the Pinkysil according to the enclosed instructions. It's a simple 1:1 ratio by volume.

3.) Stir the Pinkysil until an even pink colour is achieved.

4.) Pour the Pinkysil over your chosen item in the plastic container.

5.) Wait approximately 30 minutes and then remove the pinkysil from your plastic container and remove your item.

6.) You’ve now created an exact replica mould of your item.

You can use Barnes resins to make solid replicas with products such as TC808, which they tell me is ideal for figurines and prototyping.



For some more great hints and how-to's, check out this link at Barnes' site.

UPCOMING: Keep an eye out for some more featured artists and companies ...

mfxposé #4: Dark Sword Miniatures

We've had too many requests to profile a miniatures company to ignore. So get ready for our mega-article, this week in mfxposé we're featuring Dark Sword Miniatures. After getting in touch with Jim Ludwig, he was more than willing to send us endless pics of their jaw-dropping work.

Dark Sword Miniatures, Inc. is Jim's company and is located in Minnesota, USA.



DARK SWORD MINIATURES

Dark Sword Miniatures, Inc. was founded in 2002 in order to fill a gap in the miniatures industry that had moved steadily towards very stylised and sometimes over-the-top miniatures at the expense of more realistic miniatures.

Founder Jim Ludwig grew up on the classic Grenadier and Ral Partha sculpts in the 1980's and 1990's and was dismayed to lose both Grenadier and Ral Partha in the mid 1990's due to the collapse of the hobby market from the hot new card game "Magic the Gathering" dominating the hobby stores.

Jim's favorite Ral Partha license was the Larry Elmore line of miniatures they produced. Jim who had become acquaintances with Larry Elmore over the years and had begged Larry to take his license to Reaper Miniatures once Ral Partha closed up shop, but for some reason Larry did not do so as it was not at the top of his radar in those days.

So he boldly told Larry: "... heck, if you are not going to do something about this, I will start a small miniatures company as a sideline business and hire top sculptors and painters to do your artwork justice."

Larry Elmore simply responded: "OK, write up a proposal and let me review it."

Dark Sword Miniatures was born ...



Dennis Mize and Tom Meier were at the top of the list for realistic sculptors that could pull off what was needed. Dennis had done a large amount of work on the classic Ral Partha Silver and Steel series and other Elmore miniatures. Tom had done some work on it as well.

Dennis signed on quickly and was given the Elmore Masterworks line to sculpt as Dark Sword wanted to ensure consistency across lines. Keith Parkinson and Tom Meier came on next to start the Parkinson Masterworks line.

Jim Ludwig was always very fond of the "Fab Four" from TSR which included Larry Elmore, Keith Parkinson, Jeff Easley and Clyde Caldwell. These four artists really put TSR on the map in terms of amazing artwork back in the 1980's and 1990's.









Dark Sword had a plan and very soon Jeff Easley and Clyde Caldwell were signed on board along with Dave Summers to sculpt up Dragons and other assorted minis. Dave Summers had sculpted some of the best dragons ever produced for Ral Partha including the Great Red Dragon (Easley artwork) and the Golden Dragon of Chaos (Elmore artwork).

Dark Sword slowly ramped up over the next few years with a steady stream of boxed set releases from Tom, Dennis and Dave sculpting. They then offered their miniatures in single/blister pack format due to the demands of collectors and gamers. This prompted the start of their Visions in Fantasy range of player character types to fill in the gaps of the amazing artwork from the Fab Four. The sculptor Gael Goumon was brought on to add to this line.



Dark Sword's premium miniature lines were mainstays at the Origins Award's every year for Best Miniature/Miniature Line of the Year. Dark Sword took home top honors in 2005 with their Elmore Dragons Miniature Line sculpted by Dave Summers and Dennis Mize.

Dark Sword lost a couple of dear friends in October 2005 and March 2006 with the passing of Keith Parkinson and Dennis Mize. Jim tells me:

"... Their talent is still felt today and there is not a week that goes by that I do not fondly think of them and our conversations. They were both at the very top of their game in terms of skill-levels at the time of their passing ..."

The search for a top-notch sculptor brought Dark Sword to Jeff Grace who Jim had been keeping an eye on since Jeff entered back into the Freelance sculpting market after his tour of duty with WizKids. Jeff Grace had been trained by Dennis Mize and Dave Summers at Ral Partha.

Jeff also had a keen appreciation of the artwork we were working from. He was a natural choice and quickly ramped up to follow in Dennis Mize's footsteps as a key Dark Sword sculptor. Little did Jeff know that he was considered for the Caldwell Masterworks line before Dennis Mize offered to sculpt that line in addition to the Elmore Masterworks line.



While all of this was happening, a surprise email from a Mr. George R.R. Martin happened to pop into their email box praising their miniatures and asking if they were of the 54mm scale (which is always a nice compliment). It turns out Mr. Martin was a huge miniature fan and really liked the realistic miniatures they were doing. George had signed on with a huge multi-million dollar company called Testors Models to bring his miniatures to market.

After a couple years of spinning their wheels, they lost the license and Dark Sword was offered the chance to add another key license to their line. Jim was a huge fan of the books and jumped at the chance. Tom Meier and Jeff Grace are heading up sculpting duties on the line with Dave Summers jumping in on certain pieces as needed. Most miniatures in the line are in the standard 28-30mm scale which is the industry norm these days, but a few of the miniatures are getting the 54mm treatment as well.



Dark Sword works with a very talented group of painters that paint up their studio collection - Matt Verzani has been with them since the very beginning. Susan Wachowski paints almost all of their dragons, and Marike Reimer is now painting a good deal of Dark Sword releases. Alison Scheirman, Rhonda Bender, Anne Foerster, and Jen Haley have also painted miniatures for the Dark Sword studio collection. They are a very talented bunch - no question about it.



Looking forward, Dark Sword wants to simply focus on their existing premium miniature lines and really fill them out. All too often, companies get eyes bigger than their wallets and spin out of control and lose focus.

Dark Sword tries to keep things really tight by only working with a limited amount of sculptors, painters and licenses. Dark Sword has over 230 miniatures in their lines thus far and that number keeps on growing and should exceed 250 miniatures by the end of 2009.

You can check out their award-winning miniature lines at: www.DarkSwordMiniatures.com

UPCOMING: More on materials, reviews and a few other overdue posts ...

mfxposé #3: Gerry Webb

This week we're being treated to an interview with Gerry Webb of Castaway Arts. I contacted Gerry after reading a great interview with him in Broadsword magazine dating back a few years.

Gerry is a superb miniatures sculptor based in Cairns in the tropical North of Australia and tells us:

"... My wife Carolyn and I are in the midst of a long (endless?) renovation of a traditional ‘Queenslander’ home. Between that, work and real life I'm kept pretty busy ..."

But we've been lucky enough to score an interview, some pics and few handy tips along the way...


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INTERVIEW

Daniel: How long have you been sculpting miniatures?

Gerry: About 20 years or so, originally just a few for fun, but seriously for mass production for over 10 years.

Daniel: What first inspired you to become a sculptor?

Gerry: A few friends asked me to make some figures for them, types not then available. I'd done some conversions and was keen to have a go at scratch building. The key step was finding a mouldmaker who could turn the master figures into production moulds.

Daniel: Which artist in your field do you admire most and why?

Gerry: Tom Meier, The Perry twins, Richard Ansell's work on the Minden Miniatures range. I like a slim, in scale sculpt, with life-like proportions. Of course there are a whole bunch of factors that get in the way. For example, thin items have to be accentuated so they'll cast successfully, plus a lot of folks prefer the exaggerated style in various degrees.

Daniel: What was your favorite project to work on?

Gerry: That’s difficult to answer, my current project is always my favorite. In the Ancients I have an interest in early, Biblical types.



Daniel: What was your hardest project to complete?

Gerry: Possibly the Ark of The Covenant set, my first venture into brass sheet work. The lid actually fits on the main box. I probably should have made it as one solid piece, that would have been much easier.

Daniel: What are your favorite armies?

Gerry: I have to say colonials. Since turning to this dark side I haven't looked back. There is simply so much to do, it's endless. Every time I even look like running out of subjects, someone comes forward with an interesting, new subject they've been researching.

Daniel: What armies or ages would you like to sculpt in the future?

Gerry: I’m still on the Colonials theme, there are lots of subjects waiting in line there. I'm currently working on additions to the Chinese and Indian ranges. I would like to have a go at Seven Years War but it’s on the back burner for the moment.

Daniel: Where do you source your materials and tools from?

Gerry: My favorite sculpting putties are Green stuff, brown stuff, and milliput. Green stuff is great for clothing but it has a 'bubblegum' texture when it sets. Brown stuff sets hard and can be filed and sanded. Jeff Valent Studios in the USA is my usual source for Green stuff and brown stuff. Wire armatures are mainly made from paper clips, or champagne bottle wire (which is a lot more pleasant to source).



I have some old dentist tools, and some more recent purchases from the Army Painter range.

Daniel: Do you have any custom-made or special equipment for sculpting?

Gerry: My most used tools are home made. The first is a large sewing needle stuck in a brush handle, the other is a cut down wooden paint brush handle, whittled to a semi-rounded shape. These, and a dentist spatula do 90% of the work.



Daniel: What tips and tricks can you offer our readers?

Gerry: Give it a try, and keep trying. Hide your less successful sculpts in a bottom drawer, and show off the ones you like.

In the early days I had some masters break in the moulding process, simply because I hadn't made them strong enough. I learned it's no good making great detail if it's not on a strong armature and base. That's why I use paper clips, they're tricky to shape, but won't give way in the moulding press. I'm also using a lot more brown stuff/milliput to form the basic figure, before finishing the surface detail with green stuff. It makes a much stronger master figure.

These days there's on-line information that will teach you all you need to get started. Sculpting is no longer a mysterious art. A Google search is a good place to start.

Daniel: What's the best aspect of your job and the wider industry?

Gerry: That's easy to answer, I have to say the friendships formed, worldwide. I'm in regular contact with creative, helpful and enthusiastic people everywhere. I don't get to meet them all face to face, and others I only get to meet occasionally, but there is a great sense of sharing and camaraderie.

It's fun to talk to folks who have our miniatures, and find out how much they're enjoying them. Sometimes they put them to very creative uses that I hadn't dreamed of. I also enjoy comparing notes with others in the business, discussing the merits of various materials and techniques. That's where a lot of my tips and techniques came from, but in the spirit of fairness it has to be a two way exchange.

Finally, I have to give credit to Nic Robson, and the rest of the gang at Eureka Miniatures, including Rob Walter of Eureka USA. Nic is a mould maker without peer, and has been very patient with some of my more impractical designs, requests and deadlines. Without such helpful and generous people none of this would have happened.



UPCOMING: Thanks to Gerry we've kick started a series of posts covering sculpting - mainly as a result of all the requests we've received from readers.

NEXT: Back to Materials and a few other overdue posts ...